{"id":402,"date":"2024-07-25T14:27:00","date_gmt":"2024-07-25T12:27:00","guid":{"rendered":"https:\/\/museivalbormida.it\/bormida-museo-dei-paramenti-sacri\/second-room\/"},"modified":"2024-08-28T14:55:07","modified_gmt":"2024-08-28T12:55:07","slug":"seconda_sala","status":"publish","type":"page","link":"https:\/\/museivalbormida.it\/en\/bormida-museo-dei-paramenti-sacri\/seconda_sala\/","title":{"rendered":"Second Room"},"content":{"rendered":"<div id=\"cmsmasters_row_lwk1bylyh\" class=\"cmsmasters_row cmsmasters_color_scheme_default cmsmasters_row_top_default cmsmasters_row_bot_default cmsmasters_row_boxed\">\n<div class=\"cmsmasters_row_outer_parent\">\n<div class=\"cmsmasters_row_outer\">\n<div class=\"cmsmasters_row_inner\">\n<div class=\"cmsmasters_row_margin\">\n<div id=\"cmsmasters_column_gdipmiwztm\" class=\"cmsmasters_column one_first\">\n<div class=\"cmsmasters_column_inner\"><div class=\"cmsmasters_text\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1970 size-cmsmasters-blog-masonry-thumb\" src=\"https:\/\/museivalbormida.it\/wp-content\/uploads\/2024\/08\/seconda-sala-360x460.webp\" alt=\"\" width=\"360\" height=\"460\" \/>The second room houses on the walls a series of plates, in some cases water coloured, concerning the internal work on the high altar dating back to 1928 projected by Prof. A. Noelli who also took care of the renovation work on the facade and the decorative paintings.<\/p>\n<p>In the first showcase you can admire a Chasuble (Pianeta) made in red satin (the colour of feast days) with rich decorations and gallons embroidered in gold.<\/p>\n<p>The second showcase houses a splendid Cope (Piviale) in silk and gold-lampass, whose design composition is dominated by the phytomorphic element consisting of three stylized leaves with acanthus motif and two leafy blossoms, of a bright violet colour of great impact. This sacred garment is mentioned in the inventories of pastoral visitation dated 1784.<\/p>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":76,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-402","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false,"cmsmasters-small-thumb":false,"cmsmasters-square-thumb":false,"cmsmasters-blog-masonry-thumb":false,"cmsmasters-project-thumb":false,"cmsmasters-project-masonry-thumb":false,"cmsmasters-masonry-thumb":false,"cmsmasters-full-thumb":false,"cmsmasters-project-full-thumb":false,"cmsmasters-full-masonry-thumb":false,"mailpoet_newsletter_max":false},"uagb_author_info":{"display_name":"hitek_siteadm","author_link":"https:\/\/museivalbormida.it\/en\/author\/hitek_siteadm\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/pages\/402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/comments?post=402"}],"version-history":[{"count":0,"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/pages\/402\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/pages\/76"}],"wp:attachment":[{"href":"https:\/\/museivalbormida.it\/en\/wp-json\/wp\/v2\/media?parent=402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}